**DISCLAIMER** I wrote this months ago but never posted it. I slapped on a hasty conclusion and now you're here, reading it.
The only reason for this blog is procrastination. I should do work. Despite being overwhelmed, I can always find a way to not do the thing that I'm supposed to be doing in every way shape and form.
So let me tell you about very important things
The Intricate Art of Hand Sculptures
Various influential figures in the art community have, throughout history, agreed that hand sculptures could indeed be the most expressive and fabulous form of art. This careful practice must be carried out with a subtle urgency, with the most delicate of manners that inspires one's heart to beat quickly and urges veins and arteries to get blood pumping. A group of people placing palms on fingers and nails on wrists to create a collaborative and unique piece is one of the most worthwhile activities that one could possibly engage in. Although precise, the hand sculpture time and time again represents our society and the internal chaotic struggle in one's soul.
Not just anyone is capable of creating a hand sculpture. One must be human, and must have at least one hand or one prosthetic hand. Many people don't create hand sculptures as they are led by the belief that they don't have hands. About 800,000 out of 799,000.7 of people in our survey claimed to have lacked quite a bit of confidence. We found a direct correlation between the people who lacked high quality self esteem, especially if they lacked even very poor self esteem, and the people who believed they didn't possess differing select body parts and/ or facial features. 90% of people who told our researches that they didn't have hands actually had hands. There are too many potential hand sculptors living their daily lives believing they cannot create hand sculptures while, indeed, they could. The other 10% of people who believed they did not own hands were correct. 5% of these people could have prosthetic hands made for them. Unfortunately, another requirement to create a hand sculpture is to be living. The other 5% were dead and will never engage in the birth of a hand sculpture.
An important element within the realm of hand sculptures remains the people they are created with. They must all be alive and they must all have at least one hand. If ones creates hand sculptures with people who don't have hands, then the sculpture is going to lack the emotion and power that a hand sculpture naturally possesses. Friends are oftentimes good candidates for hand sculpture. Enemies can make for a forceful feel within a masterpiece. Severed fingers add an interesting contrast between attached and detached limbs and extremities, but arms severed from at least the elbow are considered far more tasteful by balancing the hand with the wrist. Take, for example, a hand sculpture compiled of a stack of removed fingers. There will not be as much interest as there would be if a couple palms were thrown in. if we add some of your friends' hands, attached to them or not, and some of your enemies' severed hands, the audience feels a connection. They understand that we must not allow our desire for knuckles and dorsal interossei interfere with our need for relationship with others.
More ways to engage your audience include adding "special effects". Some artists choose to freeze-dry their hand sculptures to add a dehydrated feel. Others include only the hands of the morbidly obese. Reserved artists find that they wish to remove all the muscle or bone from the flesh. There is a place for each artist in the realm of hand sculptures.
I hope you'll come to enjoy this fine art so much as I do- the calming benefits of the careful practice will work wonders in your life. Be fruitful, and enjoy.
